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Retouching eyes in Photoshop |
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Written by Sabina
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Monday, 10 December 2007
Category Adobe Photoshop - Photo Editing and Retouching.
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One of the most important elements in a portrait is the person’s eyes. They are the element which draws our attention
and which, if properly shot, can change entirely the picture. The following tutorial will teach you how to use the tools available in Adobe Photoshop to
edit a person’s eyes in a portrait. You will learn to add color intensity to them, some highlights and make them look sharper. The resulting image will have
a more fashion picture aspect and will make your model look more glamorous. |
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Step 1 |
Start up Photoshop and open the picture you want to edit. Go to the File menu at the top of the main window and select
“Open”, from the list. Browse through the folders on your hard drive until you found the photo you want to edit. In order
to learn these steps better, is it recommended to use for the first time a picture representing the person’s face, so that any modifications you perform at
the eyes level will be easily noticeable. |
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| Figure 1.
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Step 2 |
Editing the person’s eyes should be the final manipulation you perform on your image. Make sure you have finished doing
all the other modifications (crop, contrast and brightness adjustment, tone correction and others) before following the steps presented in this tutorial. |
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| Figure 2.
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Step 3 |
You have opened the image. If you look at the Layers palette, you will see that you have one layer, which contains the
actual image, the “Background” layer. You need now to create a new blank layer. Use the Ctrl+Shift+N key combination to
open the “New Layer” dialog box. |
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| Figure 3.
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Step 4 |
The new layer will hold the shadows, so that simply rename it “shadows”. Click the
“OK” button and Photoshop will add the “shadows” layer above the Background layer. |
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| Figure 4.
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Step 5 |
You now need to select both eyes in the same time. For this, use the “Lasso” tool
which you will find in the Tools palette (or you can select it by pressing the L key). |
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| Figure 5.
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